Big Zulu Diss Track: 200 Bars Punchlines & Reactions

Big Zulu Diss Track: Top Punchlines & Reactions

Big Zulu, a heavyweight in the South African hip-hop scene, has once again shaken up the industry with his latest release, “200 Bars.” Known for his aggressive and unapologetic lyrical approach, Big Zulu diss track has used this diss track to call out some of the most prominent figures in the SA rap game. The track spans an incredible 200 bars, making it an intense, relentless assault that has sparked widespread discussions, memes, and reactions across social media. Heavyweights like Cassper Nyovest, Kwesta, Emtee, Stogie T, MDU and Duncan Skuva were not exempt from Big Zulu’s hard-hitting lines. Below, we break down the most impactful punchlines from this fiery track.

Ngiphatha isbhamu esine Camera waphoza umrepha ngiyamshutha

This punchline translates to “I carry a gun with a camera; if a rapper misses, I shoot him,” playing with the imagery of both violence and the music industry. Big Zulu artfully turns the metaphor into a statement of creative power. Rather than physically harming his competitors, Big Zulu suggests he’s outshining them through his artistry and lyrical prowess. The wordplay between shooting a gun and shooting with a camera encapsulates how he’s “killing” his competition through his work, not through violence.

“Ngiphatha isbhamu esine Camera waphoza umrepha ngiyamshutha” – Big Zulu asserts his lyrical dominance in 200 Bars.

Ziyabuya ki hip-hop no Cassper sekabayi Pastor

In this line, Big Zulu takes aim at Cassper Nyovest, referencing their history of tensions, particularly regarding the much-hyped boxing match that never came to fruition. Many fans blamed Cassper for the delays. Cassper’s recent devotion to Christianity, where he earned the nickname “Pastor” or “Bab’ Mfundisi” among fans, became a point of jest. Big Zulu cleverly weaves in this shift in Cassper’s life, suggesting that Cassper has moved away from the competitive spirit of hip-hop and into a different realm altogether, adding both humour and respect to the diss.

Une Chiskop kodwa use Afro kunzima nok’faka iSingle

This punchline directed at DJ Tira is both biting and comical. “Une Chiskop” refers to DJ Tira’s signature bald look, while “use Afro” implies a contradiction. By stating that DJ Tira wears an “Afro,” Big Zulu points to an inconsistency in his persona, possibly hinting at DJ Tira’s struggles in maintaining relevance. The final jab, “kunzima nok’faka iSingle,” criticises DJ Tira’s recent music, implying that he’s finding it difficult to release a successful single. This clever wordplay showcases Big Zulu’s ability to blend humour with sharp criticism.

The only Tumi othule tuu ulo ongosena volume

Aimed at Stogie T, formerly known as Tumi of Tumi and The Volume, this punchline is a clever play on the rapper’s name and reputation. Big Zulu implies that Stogie T, once a giant in the South African rap scene, has now gone silent—both literally and figuratively. The line suggests that Stogie T has lost his musical “volume” or influence in the industry. This witty wordplay contrasts Tumi’s past presence with his current status, implying that his voice no longer carries weight in the SA hip-hop world.

Soze simbange uZulu noBoy uyazi ubani oBig

In this line, Big Zulu targets Zulu Boy, cleverly playing on their names. By saying “Soze simbange uZulu noBoy uyazi ubani oBig,” Big Zulu asserts his dominance, dismissing Zulu Boy as a non-threat. The word “boy” suggests a lesser status compared to “big,” as Big Zulu subtly reinforces his superior standing in both the rap game and Zulu culture. It’s a bold, self-assured punchline that leaves no doubt about who holds the upper hand.

Big Zulu’s “200 Bars” is a lyrical explosion shaking up the South African hip hop scene.

Ukuba uk’hlanya kuyabhatala ngaba nani sena Nota

This punchline aimed at Nota Baloyi is a stinging yet sarcastic remark. Translated, it means, “If being crazy paid well, you and your crew would all be rich like Nota.” Big Zulu takes a shot at Nota’s controversial and often outspoken behaviour, which has earned him both fame and notoriety. The diss suggests that Nota thrives on chaos rather than talent, mocking his public persona and those who might admire his antics. It’s a sharp line that cuts deep, highlighting Big Zulu’s disdain for attention seekers in the industry.

Wena idloz liyahlatshelwa wagcina i hit ngo Manando

Here, Big Zulu addresses Emtee, referencing his hit song “Manando.” The punchline implies that Emtee’s career has been in decline since that release, with Big Zulu suggesting that Emtee hasn’t produced a notable hit in a long time. The line reflects the cutthroat nature of the rap industry, where past successes mean little in the face of current struggles. Big Zulu’s message is clear: in the competitive world of hip-hop, you’re only as good as your latest work, and Emtee’s glory days are behind him.

Conclusion: Big Zulu Diss Track

Big Zulu’s “200 Bars” is more than just a disc track; it’s a declaration of his position as a dominant force in South African hip-hop. By taking aim at some of the biggest names in the industry, Big Zulu invites his rivals to step up their game while reminding them of his own unmatched lyrical ability. The track has reignited debates within the SA hip-hop community and will likely keep the scene buzzing for weeks to come. Each punchline is crafted with precision, blending humour, critique, and clever wordplay that showcases Big Zulu’s mastery of the diss track format.

In a genre where reputation and lyrical ability are everything, Big Zulu has firmly planted his flag at the top.

FAQ’s – Big Zulu Diss Track: 200 Bars Punchlines & Reactions

Big Zulu Diss Track: 200 Bars Punchlines & Reactions